For Origin, Sioban Francis presented a body of work that contrasts Christian worship with dancehall culture. She has successfully translated a personal journey into a series that is aesthetically striking and uses her subjective position to provide a unique cultural insight. Her images were displayed along with audio recordings from those worlds and objects like musical instruments, posters and clothing, all of which provided the viewer with an immersive experience.
“Being adopted I am always interested in exploring subjects that revolve around my identity. This project revisits my upbringing in a strict christian apostolic church, contrasted with a dancehall culture that was experienced through an abusive ex.” explains Francis, “Exploring their origins I found both tied with Kumina an african belief and religion.”
Fashion photographer Jessie Rose’s work is provocative and playful. Her aesthetic feels quite current and on-trend, but signature mood of defiance seems to run through all her work. She uses a chaotic, cluttered aesthetic to play with the theme of coming-of-age sexuality.
Intimate, sensitive and insightful, Morgalla’s documentary work introduces viewers to the inside world of Polish mothers living the West Midlands.
For Origin, Knight had up images from a body of work titled Destitute Residences. As the name suggests the series documents the make shift living arrangements of homeless people in Birmingham. The way his photographs were ‘framed’ drove the message home further.
The post Gradwatch 2017: Origin by Birmingham City University BA (Hons) Photography appeared first on Creative Review.